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Camera raw 5 tutorial : Small video camera : Zsmc usb pc camera zso211

Camera Raw 5 Tutorial

camera raw 5 tutorial

    camera raw
  • DNG is based on the TIFF/EP standard format, and mandates significant use of metadata. Exploitation of the file format is royalty free; Adobe have published a license allowing anyone to exploit DNG,Adobe: and have also stated that there are no known intellectual property encumbrances or license

  • A file format used in Photoshop which offers a true digital negative of an image.

  • A camera raw image file contains minimally processed data from the image sensor of either a digital camera, image scanner, or motion picture film scanner. Raw files are so named because they are not yet processed and therefore are not ready to be printed or edited with a bitmap graphics editor.

  • of or relating to tutors or tutoring; "tutorial sessions"

  • A tutorial is one method of transferring knowledge and may be used as a part of learning. More interactive and specific than a book or a lecture; a tutorial seeks to teach by example and supply the information to complete a certain task.

  • A period of instruction given by a university or college tutor to an individual or very small group

  • An account or explanation of a subject, printed or on a computer screen, intended for private study

  • a session of intensive tuition given by a tutor to an individual or to a small number of students

  • five: the cardinal number that is the sum of four and one

  • five: being one more than four

  • It is an irrational algebraic number. The first sixty significant digits of its decimal expansion are: which can be rounded down to 2.236 to within 99.99% accuracy. As of April 1994, its numerical value in decimal had been computed to at least one million digits.

camera raw 5 tutorial - The Adobe

The Adobe Photoshop CS4 Book for Digital Photographers

The Adobe Photoshop CS4 Book for Digital Photographers

Scott Kelby, the best-selling Photoshop author in the world today, once again takes this book to a whole new level as he uncovers the latest, most important, and most exciting new Adobe Photoshop CS4 techniques for digital photographers. This major update to his award-winning, record-breaking book does something for digital photographers that’s never been done before—it cuts through the bull and shows you exactly “how to do it.” It’s not a bunch of theory; it doesn’t challenge you to come up with your own settings or figure it out on your own. Instead, Scott shows you step-by-step the exact techniques used by today’s cutting-edge digital photographers, and best of all, he shows you flat-out exactly which settings to use, when to use them, and why. That’s why the previous editions of this book are widely used as the official study guide in photography courses at colleges and universities around the world.

Each year Scott trains thousands of professional photographers how to use Photoshop, and almost without exception they have the same questions, the same problems, and the same challenges—and that’s exactly what he covers in this book. You’ll learn:

• The sharpening techniques the pros really use.
• The pros’ tricks for fixing the most common digital photo problems fast!
• The step-by-step setup for getting what comes out of your printer to match exactly what you see onscreen.
• A whole chapter on how to process HDR (High Dynamic Range) images.
• How to master new CS4 interface and workflow features.
• How to color correct any photo without breaking a sweat.
• How to process RAW digital camera images (plus how to take advantage of all the new Camera Raw features in CS4!).
• How to add real automation to your work.
• How to show your work like a pro!
• A host of shortcuts, workarounds, and slick “insider” tricks to send your productivity through the roof!

Plus, Scott included a special bonus chapter with his own CS4 workflow, from start to finish. If you’re a digital photographer, and you’re ready to learn the “tricks of the trade”—the same ones that today’s leading pros use to correct, edit, sharpen, retouch, and present their work—then you’re holding the book that will do just that.

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And It Starts...

And It Starts...

From the very beginning of the show...

Tutorial Tuesday – Concert Photography

Before we start the tutorial, I should finish my story about how I got into the Pumpkins’ sold out show in the first place. Ebay? Nope. Craig’s List? Try again. Stub Hub. Not a chance. Scalper? Couldn’t find any.

I was at home, roughly 50 miles from the venue, Ovations at Wild Horse Pass, and feeling sorry for my self. Someone on Twitter said I could sit at home and wonder if I would get in or I could drive down there and find out. My wife literally pushed me out the door, and I was off. After stopping for gas and cash, I proceeded to set the North American land speed record so I wouldn’t miss the entire opening act, “OK Go”.

As mentioned above, I couldn’t find any scalpers… anywhere. I was beginning to get that feeling that I just drove all this way like a maniac for nothing. Then I saw the Ticket window and there wasn’t anyone in line (go figure for a sold out show, right?). I walked up and asked if by some chance there were any single tickets available. The ticket salesperson looked left and right, and said “Why yes, we do.” “How much” I asked. “Merry Christmas, you are going to love the seat” she said and passed the ticket through the window. I must have had a stupid look on my face because she said I better take it and walk away before she changes her mind. Still somewhat in disbelief I grabbed the ticket.

Once inside I see that Ovations is very small and discover it only seats 1400. Intimate. I ask for directions and I am pointed in the direction of the stage. Sweet. 6th row? Nice. Aisle seat right next to the sound and lighting boards? Perfect.

So, I went from sitting on my duff at home and sulking to being in the 6th row, center right and in the aisle for my favorite band. I sat down just in time to hear OK Go do an amazing version of “This Too Shall Pass” with lots of crowd participation. It was going to be a good night…

On to the tutorial…

There are many awesome concert photographers, Jared Polin and Zack Arias come to mind, and they will have much more in depth information and have a much larger body of work. I am going to provide a tutorial from the “fan bringing in camera” perspective as opposed to the “band hired me to shoot the show” perspective. As an initial starting point, you need to know how to change ISO, metering mode, shutter speed, aperture, and shooting modes on your camera on the fly. You don’t want to be fumbling with your camera trying to find a particular menu as the band rocks on and you are missing shots. Also, shoot RAW. You want to have white balance and exposure flexibility in post.

First, you need fast glass; 2.8 or lower is a must. You are going to be in low light conditions and need to hit in excess of 1/100 of a second at a minimum to freeze motion. I went with my 50mm 1.8 for two reasons. One it is my fastest lens, and two it is small. I didn’t want to come in with my 28-75 2.8 and risk not getting in because they mistook me for a professional based on lens size. If you use a lens hood, put it on backwards to help minimize the apparent size of the lens.

Second, set your ISO as high as you can comfortably get away with knowing you are going to do NR in post production. I went with ISO 2000 at the start, dropped to 1600 after a bit and finally settled in between 400 and 800 depending on the lights for that particular song. If your camera has a variable mode you can use that as well. In this mode you specify your minimum shutter speed and the camera will try and get that speed by lower aperture first, and then increasing ISO to a pre set maximum.

Third, change your camera to spot metering mode. Some folks will say to use matrix mode, but I rarely get decent results this way. My thought is that with all the lighting variables on stage at a rock concert I want my subject, typically one of the musicians, to be properly exposed with the remainder of the stage being a secondary concern. Flash is almost always useless, plus you can get into trouble and asked to leave or stop taking pics.

Fourth, put your camera in Shutter Priority mode. As mentioned above, I am most concerned with a quick enough shutter speed to freeze motion. Aperture and DOF is a secondary concern to me for the most part. I went with a speed somewhere between 1/100 and 1/250.

Finally, switch your release mode to high speed continuous or burst. You want to be able to lock focus and take a burst of 3 to 5 pics at a time. This will help ensure you have a properly exposed and sharp photo.

Now you have your base settings. These will need to be tweaked slightly depending on your venue and how it was lit. Shoot away in your mini bursts and don’t forget to rock out. After all, you came to the show to rock in the first place right?

mini golden hour tutorial/tips

mini golden hour tutorial/tips

here are some helpful hints on shooting warm photographs:

here you go guys: a photograph that has had NO color editing WHAT SO EVER. The only thing I have done to this photograph at all is bump up the contrast a bit.

I have decided to upload this photograph to show you all what you can do to colors WITHOUT PHOTOSHOP.
I get multiple notes/messages/comments every day asking me for my "secret" of color editing.

Well, let me tell you: my "secret" is SHOOTING the colors I want. Yes, there are plenty of photographs in my gallery which have minor color editing done to them, but the best way to get what you want is to observe the color of the light and just enhance it.

The BEST time where I live, during the fall/winter is around 5:30pm. However, this might be very different for you. In the summer, I can usually find this golden light at about 7:30pm. I would suggest taking note of the light one day before you plan to shoot, so you can see how long the light stays and how much time you'll have, and then returning later. You can also do a search for your weather forecast on google and search for your hometown's daily sunset time, and then show up about 45 minutes before that time to shoot until the sun goes down. (this is what I do personally)

Usually, I use a combination of curves, brightness/contrast, saturation, selective color, but mostly it is done in RAW editing.

If you shoot directly into the sun, with the sun actually in the frame, it will likely be blown out beyond repair. The best way to shoot backlit is by blocking the sun either with your body or by keeping the sun off the frame. You will still get the effects of the backlighting without the glare of the sun.

My best advice is to experiment and try to force yourself to shoot the image as you want it to be seen, not try to fix it all in photoshop later.

ANOTHER IMPORTANT NOTE: many times I receive this comment: "I want these colors! What camera do you use?!" I see comments like this ALL the time and it's frustrating because you can get colors like this with just about ANY camera depending on how you shoot and edit. I remember when I was starting out, I'd see color editing I loved and I assumed it was just a fancy camera effect. Now that I have used both a very basic camera and a pro camera, I can tell you that you should not buy an expensive camera expecting it to give you the colors you are hoping for. Sure, a nicer camera will give you more options, like RAW editing and higher quality, but the bottom line really is that it is up to YOU to make the photograph what it is, not the camera.

good luck to you all, and I hope this helped clear up some confusions! <3
please feel free to comment with any questions and I'll try my best to help!

camera raw 5 tutorial

camera raw 5 tutorial

Adobe Photoshop CS3 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC

Master the power of Photoshop CS3 with
an internationally renowned photographer by your side.

Adobe's Photoshop CS3 comes with powerful new features with huge payoffs. But it can be overwhelming to learn, even for professional photographers, graphic designers, keen amateurs, and others who already have an initial grasp of Photoshop. Acclaimed photographer Martin Evening, who wrote the best-selling previous books, 'Adobe Photoshop for Photographers', makes it easy with this new, thoroughly updated edition.

* Illustrated throughout with before-and-after pictures - more than 750 professional, color illustrations!
* Practical techniques and real-life assignments
* Step-by-step tutorials
* Keyboard shortcut reference guide

Includes FREE DVD with:
* QuickTime movie tutorials for MAC and PC
* Searchable tips on tools, palettes layer styles, and shortcuts
* Includes images selected for you to experiment with to get you up to speed with everything in the book, including the new Photoshop CS3 features, fast!
* Updated Camera Guide to help you decide which will best suit your needs, plus bonus Digital Capture chapter in printable PDF format

Uncover quickly exactly what Adobe's CS3 now offers photographers. New tutorials focus on the key features introduced in CS3. You lose no time in finding out how to put your ideas to work with:

* Adobe's Camera Raw 4 plug-in that can now also process TIFFs and JPEGs
* New Align controls for combining HDR images; Photomerge; new Clone Stamp; Curves dialog that now incorporates Levels functionality; and improved controls for Brightness/Contrast to match raw image processing controls
* The latest on Black and White adjustment, which provides all the black and white conversion tools you need for optimum monochrome conversions
* A pro's scoop on choosing from among dozens of Photoshop's image adjustment methods to get the results you want
* Tips on Bridge 2.0 and Lightroom - when you should use each
* Top tactics for successful composite images, insider guidance on editing shadows and highlight adjustments, and lessons on how to preview and re-edit filter effects as many times as you want - without complex workarounds

Get the preeminent advice from one photographer to another as Martin completely updates you on the core aspects of working with Photoshop, digital workflow, and improving accessibility. Real-life examples, diagrams, illustrations, and step-by-step explanations ensure that you're up to speed with the next generation of digital photography in no time!

Foreword by Adobe Systems' key Director of Engineering, Digital Imaging, Marc Pawliger

* Over 750 professional, color images make this book stand above the rest
* New DVD! Searchable info explains tools, palettes & layer styles, also includes invaluable QuickTime movie tutorials
* Master the power of Photoshop CS3 under the instruction of an internationally recognised Photoshop expert & Adobe alpha tester

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